Tips for Photographing Trees and Forests

As a nature and landscape photographer, trees are often the central focus of my images or at least play a significant role in the composition. They contain many of the components that make up a good photo — line, texture, shape, light, color.  They are powerful symbols and illicit strong emotions in us. They change from season to season, and there are endless compositions to be found in any one stand of trees. But, making a decent photograph of a single tree or a forest can be tricky. Here are some tips to get you started.

Gear.

Gear alone does not a good photo make. But having the right tools will give you the best chance to make a good image. Here are the basics you’ll need.

  • A sturdy tripod — If you want a sharp image, front to back, you will be shooting with a closed aperture (high number) to maximize depth of field, which means you will have to slow your shutter speed way down. You cannot handhold a camera and keep it still enough to avoid blur.
  • A DSLR camera with the ability to shoot in Live View  to reduce camera shake.
  • A variety of lenses with a range of focal lengths from wide angle to zoom.
  • A polarizing filter for cutting glare or to bring out color.
Dancing Aspen Trees
Dancing Aspen Trees

Step Back

Are you photographing a stand of trees? Look for shapes and patterns among the trees. Place yourself a good distance from the stand and look at the way the trunks and branches interact with one another. Position yourself so that each of the elements has some separation from its neighbor. Is there sky peeking through the branches? Those hot spots can be a bright distraction in the composition. Try to crop out any bits of sky from your composition. Or, if it is a bright, sunny day, and the sun is low in the sky, try positioning the sun behind one of the trees for a sunburst effect.

Rush Creek Fall 2013

 

Get closer.

Sometimes you can find an excellent composition right under your nose. Roots, bark, leaves contain excellent shapes and textures, as in this image below.

 

Frozen Aspen Leaves and Grass, Winter 2014

Juxtaposition.

Juxtaposition can be a powerful visual symbol, like this dead tree that stands out like an old bone against the young cottonwood saplings.

Old Bone

 Embrace cloudy days.

Cloudy days create the most lovely light for intimate forest scenes. The diffused light lets details come out that might otherwise get blown out by bright, patchy highlights.

Oaks and Granite 2014

Squint.

Close one eye and squint. No, really. Ok, now look at the shapes, colors and negative spaces through that blurred lens of your eye. In this flattened state, it becomes easier to spot how color and shape are influencing the scene and making it easier to spot your perfect composition.

Aspens in Blue Light 2013

Finally, relax and enjoy the forest. Don’t forget that you are in a beautiful setting that drew you here in the first place. If the essence of the forest is what you endeavor to communicate through your photography, take a moment to notice what is going on around you. Your photograph will be that much better for it.

 

Dogwoods, May 2014

3 Comment

  1. Melissa Wilk says: Reply

    Dear Ms. Charlotte,

    As always, you do not miss one single detail. Your writing and photography abilities never cease to embrace every single moment with exquisite beauty and intelligence. With great appreciation and gratitude, I feel blessed to see your work.

    Hugs my dear Lady,
    Melissa

    1. charlottegibb says: Reply

      As always, thank you, Melissa, for your kind words of encouragement! You never fail to brighten my day, gal!

  2. Ace Batacan says: Reply

    Great photos. I don’t have a DSLR yet. Looking at your shots is making me think (even harder) about buying one…not that I can duplicate them. It’s talent and equipment. Right? :)) Thanks for sharing the photos, write-ups, and tips.

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